REVIEW | Vinyl: The Analogue Record in the Digital Age
Abstract
Dominick Bartmanski and Ian Woodward London and New York: Bloomsbury, 2015 ISBN: 978-0-8578-5618-0 (HB) / 978-0-8578-5661-6 (PB) ePDF: 978-0-8578-5731-6 / e-Pub: 978-0-8578-5658-6References
Gilroy, P. 1993. “Wearing Your Art on Your Sleeve: Notes Toward a Diaspora History of Black Ephemera”. In Small Acts: Thoughts on the Politics of Black Cultures. London: Serpents Tail: 237-257.
Gopinath, S. and Stanyek, J. Eds. 2014. The Oxford Handbook of Mobile Music Studies, Vol. 1. Oxford: Oxford University Press.
Morris, J.W. 2015. Selling Digital Music, Formatting Culture. Oakland, CA: University of California Press.
Osborne, R., 2014. Vinyl: A History of the Analogue Record. Aldershot: Ashgate.
Robertson-Wojcik, P., 2001. “The Girl and the Phonograph; or the Vamp and the Machine Revisited”. In P. Robertson-Wojcik and A. Knight Eds., Soundtrack Available: Essays on Film and Popular Music. Durham: Duke University Press: 433-454.
Stilwell, R. 2006. “Vinyl Communion: The Record as Ritual Object in Girls’ Rites-of-passage Films”. In P. Powrie and R. Stilwell Eds. Changing Tunes: The Use of Pre-existing Music in Film. Aldershot: Ashgate: 152-166.
Sterne, J. 2012. MP3: The Meaning of a Format. Durham: Duke University Press.
Straw, W. 2012. “Music and material culture”. In M. Clayton, T. Herbert and R. Middleton Eds. The Cultural Study of Music: A Critical Introduction. 2nd Edition. London and New York: Routledge: 227-236.
Weheliye, A. G. 2005. Phonographies: Grooves in Sonic Afro-modernity. Durham: Duke University Press.
Downloads
Published
Issue
Section
License
Authors retain copyright, while licensing their work under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.
