REVIEW | Sounds of the Underground: A Cultural, Political, and Aesthetic Mapping of Underground and Fringe Music

Ariane Gruet-Pelchat

Abstract


Stephen Graham
Ann Arbor, MI: University of Michigan Press, 2016
ISBN: 978-0472119752 (e-book)

Keywords


Underground; Noise; Improvisation; Extreme Metal; Politics; Aesthetics

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References


Born, Georgina. 2012. On Music and Politics: Henry Cow, Avant-Gardism and Its Discontents. In Robert Adlington Ed. Red Strains, Oxford University Press, Oxford, 55–64.

Everett, Walter. 2004. Making Sense of Rock’s Tonal Systems. In Music Teory Online 10 (4) : http://www.mtosmt.org/issues/mto.04.10.4/mto.04.10.4.w_everett_

frames.html. Accessed 12 December 2016.

Graham, S. 2012. Notes from the Underground: A Cultural, Political, and Aesthetic

Mapping of Underground Music. PhD. Goldsmiths College, London. http://research.gold.ac.uk/id/eprint/8050, accessed 25 November 2016.

Hegarty, P. 2007. Noise/Music: A History. London: Continuum.




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