REVIEW | Popular Music and Retro Culture in the Digital Era

Authors

Keywords:

Retro culture, Listening practices, Digital technology, Nostalgia

Abstract

Jean Hogarty Abingdon: Routledge, 2017 ISBN: 978-1-138-67670-1 (HB) 10.5429/2079-3871(2017)v7i1.10en

Author Biography

David Kane, Birmingham City University

Senior Researcher SREU Department of Business, Law & Social Sciences Birmingham City University

References

Bennett, A. 2009. Heritage Rock: Rock Music, Representation and Heritage Discourse. Poetics, 37: 474-489

Bennett, A. 2013. Music, Style, and Aging: Growing Old Disgracefully? Philadelphia, Temple University Press.

Derrida, J. 1994. Spectres of Marx: The State of the Debt, the Work of Mourning, and the New International. New York, Routledge.

Fisher, M. 2014. Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures. Winchester, Zero.

Gebhardt, N. (2015) ‘Let There be Rock!’ Myth and Ideology in the Rock Festivals of the Transatlantic Counterculture. In: G. McKay, ed. The Pop Festival: History, Music, Media, Culture. New York, Bloomsbury. Ch.3.

Hesmondhalgh, D. 2005. Subcultures, Scenes or Tribes? None of the Above. Journal of Youth Studies, (8) 21-40.

Kotarba, J. 2013. Baby Boomer Rock ‘n’ Roll Fans: The Music Never Ends. Plymouth, Scarecrow Press.

Parker, J and Croggon, N. 2014. The Trouble with Contemporary Music Criticism: Retromania, Retro-historicism, and History. Tiny Mix Tapes.

http://www.tinymixtapes.com/features/the-trouble-with-contemporary-music-criticism?page=show Accessed: 08 May 2017.

Reynolds, S. 2011. Retromania: Pop Culture’s Addiction to Its Own Past. London, Faber & Faber.

Sprod, L. 2012. Against All Ends: Hauntology, Aesthetics, Ontology. 3:am Magazine. http://www.3ammagazine.com/3am/against-all-ends-hauntology-aesthetics-ontology/ Accessed: 25 May 2017.

Williams, R. 1961. The Long Revolution. London, Chatto & Windus.

Downloads

Published

30-10-2017