REVIEW I Soundtracking Germany. Popular Music and National Identity

Authors

  • Giacomo Bottà IASPM Norden//University of Helsinki

Abstract

Review of Soundtracking Germany by Melanie Schiller, reviewed by Giacomo Bottà

Author Biography

Giacomo Bottà, IASPM Norden//University of Helsinki

Docent (adjunct professor) in Urban Studies at the University of Helsinki

References

Ahlers, M. and Jacke C. 2017. Perspectives on German Popular Music. London and New York: Routledge.

Bottà, G. 2017. REVIEW | Perspectives on German Popular Music. Michael Ahlers and Christoph Jacke Eds. London and New York: Routledge, 2017 ISBN: 9781472479624 (HB). IASPM Journal 7 (2), 62 - 64. https://doi.org/10.5429/2079-3871(2017)v7i2.12en

Cloonan, M. 1999. Pop and the Nation-State: Towards a Theorisation. Popular Music 18 (2): 193-207. https://doi.org/10.1017/S0261143000009041

Denk, F. and Von Thülen, S. 2013. Der Klang der Familie. Berlin, Techno und die Wende. Franfkurt and Berlin: Suhrkamp.

Frith, S. 1993. Popular Music and the Local State. In T. Bennett et al. Ed. Rock and Popular Music: Politics, Policies, Institutions. London: Routledge: 15-24.

Mendívil, J. 2008. Ein musikalisches Stück Heimat: Ethnologische Beobachtungen zum deutschen Schlager. Bielefeld: Transcript.

Mohr, T. 2018. Burning Down the Haus: Punk Rock, Revolution, and the Fall of the Berlin Wall. Chapel Hill and New York: Algonquin Books.

Seibt, O., Ringsmut, M. and Wickström, D. 2020. Made in Germany: Studies in Popular Music. London and New York: Routledge.

Teipel, J. 2001. Verschwende deine Jugend .Frankfurt: Suhrkamp.

IASPM Journal Vol. 11, No.1 (2021)

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Published

15-10-2021

Issue

Vol. 11 No. 1 (2021): Special Issue: Crises at Work: Potentials for Change?

Section

Reviews

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Authors retain copyright, while licensing their work under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.