REVIEW | Singing the Body Electric: The Human Voice and Sound Technology

Authors

  • Katerina Tzedaki Department of Music Technology & Acoustics Engineering, TEI Crete, Greece

Keywords:

Voice, Sound, Listening, Sound Technology, Performance, Production

Abstract

Miriama Young Farnham: Ashgate, 2015 ISBN: 9780754669869 (HB) 10.5429/2079-3871(2017)v7i1.13en

References

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a. The Curves of the Needle. October 55: 48–55.

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Beckett, S. 1973. Not I. London: Faber.

Chion, M. 1999. The Voice in Cinema, trans. Claudia Gorbman. New York: Columbia University Press.

Descartes, R. 1628. Treatise on Man. T. In S. Gaukroger. 1991. Trans. Ed. The World and Other Writings. Cambridge: Cambridge University Press: 97-169.

Dolar, M. 2006. A Voice and Nothing More. Cambridge, MA: MIT Press.

Frith, S. 1996. Performing Rites: On the Value of Popular Music. Cambridge, MA: Harvard University Press.

Girard, R. 1965. Deceit, Desire and the Novel: Self and Other in Literary Structure, trans. Bernard Grasset. Baltimore, MD: The Johns Hopkins University Press.

McLuhan, M. 1964. Understanding Media: The Extensions of Man. New York: New American Library.

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Schaeffer, P. 1966. Traité Des Objets Musicaux, Essai Interdisciplines. Paris: Éditions du Seuil.

Sterne, J. 2003. The Audible Past: Cultural Origins of Sound Reproduction. Durham, NC, and London: Duke University Press.

Wishart, T. 1996. On Sonic Art. In Simon Emmerson. Ed. Amsterdam: Harwood Academic Publishers.

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Published

30-10-2017