, United Kingdom
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IASPM Journal Vol. 14 No. 1 (2024): Aging, Time, and Popular Music - Articles – Open Section
“It wasn’t our song anymore”: Molchat Doma, the death of the reader and the birth of the TikToker
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IASPM Journal Vol. 12 No. 1 (2022): Open Issue - Articles – Open Section
Musical ecologies of grief: breathing and environmental justice in Love Ssega’s “Our World (Fight for Air)”
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IASPM Journal Vol. 12 No. 1 (2022): Open Issue - Articles – Open Section
Lady Day on Screen
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IASPM Journal Vol. 13 No. 3 (2023): Open Issue - Articles – Open Section
An Analytical Approach for Practice-based Research of the Compositional Approach
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IASPM Journal Vol. 13 No. 3 (2023): Open Issue - Articles – Open Section
Collaborative Music Production via Live Streaming
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IASPM Journal Vol. 13 No. 1 (2023): Special Issue: Practice-Based Research - Articles – Special Issue
Creativity and Education
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IASPM Journal Vol. 13 No. 1 (2023): Special Issue: Practice-Based Research - Articles – Special Issue
Valuing in Songwriting
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IASPM Journal Vol. 13 No. 1 (2023): Special Issue: Practice-Based Research - Articles – Special Issue
Self Production
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IASPM Journal Vol. 13 No. 1 (2023): Special Issue: Practice-Based Research - Articles – Special Issue
Learning Music for Fun, Not Credit
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IASPM Journal Vol. 12 No. 1 (2022): Open Issue - Editorial
Editorial
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IASPM Journal Vol. 14 No. 1 (2024): Aging, Time, and Popular Music - Articles – Special Issue
Still Here? Aging Female Vocalities in Musical Theatre.
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IASPM Journal Vol. 14 No. 1 (2024): Aging, Time, and Popular Music - Articles – Special Issue
Aging, Nostalgia and Older Punk Women’s Fandom.
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IASPM Journal Vol. 14 No. 1 (2024): Aging, Time, and Popular Music - Articles – Special Issue
An Ever Present Past
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IASPM Journal Vol. 13 No. 3 (2023): Open Issue - Reviews
Sounding Conflict - Book Review
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IASPM Journal Vol. 13 No. 3 (2023): Open Issue - Reviews
Review: Hearing Sexism: Gender in the Sound of Popular Music. A Feminist Approach
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IASPM Journal Vol. 13 No. 3 (2023): Open Issue - Editorial
Editorial
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IASPM Journal Vol. 14 No. 1 (2024): Aging, Time, and Popular Music - Reviews
Sonic Signatures: Music, Migration and the City at Night
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IASPM Journal Vol. 14 No. 1 (2024): Aging, Time, and Popular Music - Reviews
Always Different, Always the Same: Critical Essays on The Fall
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IASPM Journal Vol. 14 No. 1 (2024): Aging, Time, and Popular Music - Invited Commentary
On Dissonant Landscapes: Tore Størvold and Susan O’Shea, in conversation
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IASPM Journal Vol. 14 No. 1 (2024): Aging, Time, and Popular Music - Editorial
Editorial
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IASPM Journal Vol. 1 No. 2 (2010) - Articles – Open Section
Songs of the Stones: An Investigation into the Acoustic History and Culture of Stonehenge
doi:10.5429/2079-3871(2010)v1i2.10en
Abstract Audio Example 1 - Modal Resonance at Maryhill Audio Example 2 - Stonehenge 3vi auralisation Audio Example 3 - Stonehenge 3ii auralisation 1 Audio Example 4 - Stonehenge 3ii auralisation 2 PDF -
IASPM Journal Vol. 2 No. 1-2 (2011) - Articles – Special Issue
Caught on the Back Foot: epistemic inertia and visible music
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.2en
Abstract Figure 2 Tagg paper PDF -
IASPM Journal Vol. 2 No. 1-2 (2011) - Articles – Special Issue
Editorial Introduction, Volume 2, February 2012
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.1en
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IASPM Journal Calls & Style Guide - Open Call
Italian CFP - Open Call for Papers
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IASPM Journal Calls & Style Guide - Open Call
Türk CFP - Yazi Çağrisi
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IASPM Journal Calls & Style Guide - Open Call
Japanese CFP - 日本語 原稿募集
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IASPM Journal Calls & Style Guide - Style Guide / Template
Style Guide and Template for Authors (.docx file)
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IASPM Journal Calls & Style Guide - Open Call
Português CFP - Chamada Para Artigos
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IASPM Journal Calls & Style Guide - Open Call
Español CFP - Convocatoria de Artículos
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IASPM Journal Calls & Style Guide - Open Call
Deutsch CFP - Offener Call for Papers
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IASPM Journal Calls & Style Guide - Open Call
CFP Française - Appel Ouvert à Contributions
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IASPM Journal Vol. 3 No. 1 (2013): The Digital Nation: Copyright, Technology and Politics - The Digital Nation: Articles
Copyright Management and its Effect on the Sampling Practice of UK Dance Music Producers
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IASPM Journal Calls & Style Guide - Open Call
Magyar CFP - Felhívás
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IASPM Journal Vol. 3 No. 2 (2013): Popular Music Studies in the Twenty-First Century - 21st Century PMS: Articles
Popular Music, Gender and Sexualities
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IASPM Journal Vol. 3 No. 1 (2013): The Digital Nation: Copyright, Technology and Politics - Reviews
Languages of Global Hip Hop
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IASPM Journal Vol. 3 No. 2 (2013): Popular Music Studies in the Twenty-First Century - Reviews
She's So Fine: Reflections on Whiteness, Femininity, Adolescence and Class in 1960s Music
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IASPM Journal Vol. 3 No. 2 (2013): Popular Music Studies in the Twenty-First Century - 21st Century PMS: Articles
Looking for Something New: The Provision of Popular Music Studies Degrees in the UK
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IASPM Journal Vol. 3 No. 2 (2013): Popular Music Studies in the Twenty-First Century - 21st Century PMS: Articles
You Say Invisible, I Say Ubiquitous: A (Formally Former) Student’s Response to Philip Tagg’s ‘Caught on the Back Foot: Epistemic Inertia and Visible Music’.
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IASPM Journal Vol. 3 No. 1 (2013): The Digital Nation: Copyright, Technology and Politics - Reviews
Rock's Back Pages
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IASPM Journal Vol. 3 No. 2 (2013): Popular Music Studies in the Twenty-First Century - Reviews
Popular Music and the Myths of Madness
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IASPM Journal Vol. 4 No. 1 (2014): Popular Music Performance - Popular Music Performance: Articles
Female, Mosher, Transgressor: A 'Moshography' of Transgressive Practices within the Leeds Extreme Metal Scene
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IASPM Journal Vol. 4 No. 1 (2014): Popular Music Performance - Popular Music Performance: Articles
The Touring Musician: Repetition and Authenticity in Performance
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IASPM Journal Vol. 4 No. 1 (2014): Popular Music Performance - Popular Music Performance: Articles
Performing Austria: Protesting the Musical Nation
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IASPM Journal Vol. 4 No. 2 (2014): Music Journalism - Music Journalism: Articles
Covering Performers, Discovering Femininities: US Hip-Hop Journalism and Female Artists
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IASPM Journal Vol. 3 No. 2 (2013): Popular Music Studies in the Twenty-First Century - Editorial
Twenty First Century Popular Music Studies
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IASPM Journal Vol. 4 No. 1 (2014): Popular Music Performance - Reviews
Playing it Queer: Popular Music, Identity and Queer World-making
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IASPM Journal Vol. 4 No. 2 (2014): Music Journalism - Reviews
Trad Dads, Dirty Boppers and Free Fusioneers, British Jazz 1960-1975
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IASPM Journal Vol. 4 No. 2 (2014): Music Journalism - Music Journalism: Articles
“Surely people who go clubbing don’t read”: Dispatches from the Dancefloor and Clubland in Print
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IASPM Journal Vol. 5 No. 2 (2015): Transnational Issue - Articles – Open Section
“In Our Culture, Poets Have More Power than Politicians”: The Lives, Deaths and Legacies of Cheb Hasni and Lounès Matoub
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IASPM Journal Vol. 5 No. 1 (2015): Popular Music and Education - Editorial
Editorial Introduction: Popular Music in Education, Special Issue
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IASPM Journal Vol. 5 No. 2 (2015): Transnational Issue - Editorial
Editorial Introduction
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IASPM Journal Vol. 6 No. 1 (2016): New Directions in Music Fan Studies - Articles – Special Issue
Sonic Artefacts: "Record Collecting" in the Digital Age
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IASPM Journal Vol. 6 No. 2 (2016): Perspectives on Popular Music and Sound Recording - Articles – Special Issue
Producing music, producing myth? Creativity in Recording Studios
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IASPM Journal Vol. 6 No. 2 (2016): Perspectives on Popular Music and Sound Recording - Articles – Special Issue
Kosmische Musik and its Techno-Social Context
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IASPM Journal Calls & Style Guide - Style Guide / Template
Authoring Reviews
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IASPM Journal Vol. 6 No. 1 (2016): New Directions in Music Fan Studies - Reviews
REVIEW | Popular Music Fandom: Identities, Roles and Practices // Fan Identities and Practices in Context: Dedicated to music.
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IASPM Journal Vol. 6 No. 1 (2016): New Directions in Music Fan Studies - Reviews
REVIEW | Out of Order: A Photographic Celebration of the Free Party Scene
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IASPM Journal Vol. 6 No. 2 (2016): Perspectives on Popular Music and Sound Recording - Reviews
REVIEW | The Musicology of Record Production
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IASPM Journal Vol. 6 No. 2 (2016): Perspectives on Popular Music and Sound Recording - Reviews
REVIEW | The Production and Consumption of Music in the Digital Age
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IASPM Journal Vol. 7 No. 1 (2017): Pop Life: The Popular Music Biopic - Articles – Special Issue
“Even the ghost was more than one person”: Authorship and Authorisation in I’m Not There
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IASPM Journal Vol. 7 No. 1 (2017): Pop Life: The Popular Music Biopic - Articles – Special Issue
Beyond Authenticity, Beyond Romanticism: Films About Maanam
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IASPM Journal Vol. 7 No. 1 (2017): Pop Life: The Popular Music Biopic - Articles – Special Issue
Practices of Verisimilitude in Pop Music Biopics: A Conversation with Todd Eckert and James Anthony Pearson on Control, and Nick Moran on Telstar
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IASPM Journal Vol. 8 No. 1 (2018): Gender Politics in the Music Industry - Articles – Open Section
Amy Winehouse: Back to Black and the Gothic
Abstract Captions Fig 1 - Abney Park cemetery Fig 2 - Chapel Fig 3 - Amy walks into Abney Park Fig 4 - Front Parlour Fig 5 - Widows Weeds Fig 6 - Heart burial PDF -
IASPM Journal Vol. 7 No. 1 (2017): Pop Life: The Popular Music Biopic - Reviews
REVIEW | Popular Music and Retro Culture in the Digital Era
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IASPM Journal Vol. 7 No. 1 (2017): Pop Life: The Popular Music Biopic - Reviews
REVIEW | Ludomusicology: Approaches to Video Game Music
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IASPM Journal Vol. 7 No. 2 (2017): Practice-Led and Practice-Based Popular Music Studies - Reviews
REVIEW | Jazz as Visual Language: Film, Television and the Dissonant Image
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IASPM Journal Vol. 7 No. 1 (2017): Pop Life: The Popular Music Biopic - Editorial
Editorial Introduction
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IASPM Journal Vol. 7 No. 2 (2017): Practice-Led and Practice-Based Popular Music Studies - Reviews
REVIEW | In the Midnight Hour: The Life and Soul of Wilson Pickett
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IASPM Journal Vol. 7 No. 2 (2017): Practice-Led and Practice-Based Popular Music Studies - Editorial
Popular Music Practice: Music as Research. Introduction to the Special Issue
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IASPM Journal Vol. 8 No. 1 (2018): Gender Politics in the Music Industry - Articles – Special Issue
“The Whole Feminist Taking-Your-Clothes-off Thing”: Negotiating the Critique of Gender Inequality in UK Music Industries
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IASPM Journal Vol. 8 No. 1 (2018): Gender Politics in the Music Industry - Articles – Special Issue
Gender Ventriloquism in Studio Production
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IASPM Journal Vol. 8 No. 2 (2018): Open Issue - Articles – Open Section
The Work Realities of Professional Studio Musicians in the German Popular Music Recording Industry: Careers, Practices and Economic Situations
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IASPM Journal Vol. 8 No. 1 (2018): Gender Politics in the Music Industry - Reviews
REVIEW | Vaudeville Melodies: Popular Musicians and Mass Entertainment in American Culture, 1870-1929
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IASPM Journal Vol. 8 No. 2 (2018): Open Issue - Reviews
REVIEW | Designed for Hi-Fi Living: The Vinyl LP in Midcentury America
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IASPM Journal Vol. 8 No. 2 (2018): Open Issue - Reviews
REVIEW | This is Not a Remix: Piracy, Authenticity and Popular Music
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IASPM Journal Vol. 8 No. 1 (2018): Gender Politics in the Music Industry - Reviews
REVIEW | Queerness in Heavy Metal Music: Metal Bent
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IASPM Journal Vol. 8 No. 2 (2018): Open Issue - Reviews
REVIEW | Gender and Rock
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IASPM Journal Vol. 8 No. 2 (2018): Open Issue - Reviews
Review | Power to the People: British Music Videos 1966-2016
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IASPM Journal Vol. 10 No. 1 (2020): Open Issue - Articles – Open Section
The Impossible Made Real: A Typology of Loops and an Exploration of the Impact of Immediacy and Hypermediacy in Popular Music
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IASPM Journal Vol. 9 No. 2 (2019): Open Issue - Articles – Open Section
Beats to Relax/Study To: Contradiction and Paradox in Lofi Hip Hop
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IASPM Journal Vol. 9 No. 2 (2019): Open Issue - Articles – Open Section
Part of the Tribe: Crews, Residence, and Affiliation in Underground Dance Music Scenes
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IASPM Journal Vol. 10 No. 1 (2020): Open Issue - Reviews
REVIEW | Henry Cow: The World is a Problem
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IASPM Journal Vol. 10 No. 2 (2020): Open Issue - Reviews
REVIEW | Popular Music and the Politics of Hope Review
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IASPM Journal Vol. 10 No. 1 (2020): Open Issue - Articles – Open Section
Sexual Violence and Gender Equality in Grassroots Music Venues: How to Facilitate Change
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IASPM Journal Vol. 10 No. 1 (2020): Open Issue - Reviews
REVIEW | Kick It: A Social History of the Drum Kit
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IASPM Journal Vol. 10 No. 1 (2020): Open Issue - Reviews
REVIEW | The Beatles and Fandom: Sex, Death and Progressive Nostalgia
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IASPM Journal Vol. 11 No. 2 (2021): Special Issue: Popular Music, Decolonization and Indigenous Studies - Reviews
REVIEW I Hungry Listening: Resonant Theory for Indigenous Sound Studies
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IASPM Journal Vol. 11 No. 1 (2021): Special Issue: Crises at Work: Potentials for Change? - Statements
Pragmatic White Allyship for Higher Education Popular Music Academics
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IASPM Journal Vol. 11 No. 1 (2021): Special Issue: Crises at Work: Potentials for Change? - Statements
PODCAST | Music Work and Solidarity Politics in the Age of Covid-19: Some Thoughts from Greece
Abstract IASPM 11(1) Tsioulakis.mp3 -
IASPM Journal Vol. 11 No. 1 (2021): Special Issue: Crises at Work: Potentials for Change? - Editorial
Introduction to the Special Issue on Crises at Work: Potentials for Change?
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IASPM Journal Vol. 13 No. 1 (2023): Special Issue: Practice-Based Research - Editorial
Practice Research Special Issue Editorial
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IASPM Journal Vol. 4 No. 1 (2014): Popular Music Performance - Editorial
Introduction: Popular Music Performance
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IASPM Journal Vol. 4 No. 2 (2014): Music Journalism - Editorial
Introduction
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IASPM Journal Vol. 6 No. 1 (2016): New Directions in Music Fan Studies - Articles – Special Issue
Love Me For A Reason: An Auto-ethnographic Account of Boyzone Fandom
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IASPM Journal Vol. 6 No. 1 (2016): New Directions in Music Fan Studies - Editorial
New Directions in Music Fan Studies Editorial Introduction
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IASPM Journal Vol. 8 No. 1 (2018): Gender Politics in the Music Industry - Editorial
Gender Politics in the Music Industry
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IASPM Journal Vol. 11 No. 1 (2021): Special Issue: Crises at Work: Potentials for Change? - Articles – Special Issue
Crisis as a Catalyst for Change: COVID-19, Spatiality and the UK Live Music Industry
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