Issue | Title | |
Vol 1, No 2 (2010) | "Vorrei trovar parole nuove" - Il neologismo “cantautore” e l'ideologia dei generi musicali nella canzone italiana degli anni Sessanta doi:10.5429/2079-3871(2010)v1i2.11it |
Abstract PDF |
Jacopo Tomatis | ||
Calls & Style Guide | Wanted: New Editors | Abstract PDF |
IJ Editor | ||
Vol 1, No 2 (2010) | Who Sells Out?: Petra Haden in the Age of Mechanical Reproduction doi:10.5429/2079-3871(2010)v1i2.7en |
Abstract PDF |
Marianne Tatom Letts | ||
Vol 10, No 2 (2020): Open Issue | Wolf in Sheep's Clothing: Extreme Right-Wing Ideologies in Australian Black Metal | Abstract PDF |
Benjamin Philip Hillier, Ash Barnes | ||
Vol 4, No 1 (2014): Popular Music Performance | Women Make Noise: Girl Bands From Motown to the Modern | Abstract PDF |
Kathryn Rose Hill | ||
Vol 3, No 2 (2013): Popular Music Studies in the Twenty-First Century | You Say Invisible, I Say Ubiquitous: A (Formally Former) Student’s Response to Philip Tagg’s ‘Caught on the Back Foot: Epistemic Inertia and Visible Music’. | Abstract PDF |
Anahid Kassabian | ||
Vol 1, No 1 (2010) | `Guardate qui, mucchio di casinari da cantina': Bob Dylan al lavoro sottoterra doi:10.5429/2079-3871(2010)v1i1.2it |
Abstract PDF |
Alessandro Bratus | ||
Vol 1, No 1 (2010) | `Look here, you bunch of basement noise': Bob Dylan plays underground http://dx.doi.org/10.5429/2079-3871(2010)v1i1.2en |
Abstract PDF |
Alessandro Bratus | ||
Vol 1, No 2 (2010) | ¿Una habitación propia en el Jazz Latino?/A Room of One's Own in a “Latin Jazz”? | Abstract PDF |
Susan Campos Fonseca | ||
Vol 7, No 1 (2017): Pop Life: The Popular Music Biopic | “Even the ghost was more than one person”: Authorship and Authorisation in I’m Not There | Abstract PDF |
Marcus O'Dair | ||
Vol 9, No 1 (2019): Pop music festivals and (cultural) policies | “From Dalarna to The Orient”: Falun Folk Music Festival | Abstract PDF |
Daniel Fredriksson | ||
Vol 5, No 2 (2015): Transnational Issue | “In Our Culture, Poets Have More Power than Politicians”: The Lives, Deaths and Legacies of Cheb Hasni and Lounès Matoub | Abstract PDF |
Stephen Wilford | ||
Vol 5, No 1 (2015): Popular Music and Education | “Something’s Happening Here!”: Popular Music Education in the United States | Abstract PDF |
Bryan Powell, Andrew Krikun, Joseph Michael Pignato | ||
Vol 1, No 2 (2010) | “Stayin’ Alive in Da Club”: The Illegality and Hyperreality of Mashups | Abstract PDF |
Liam Alan Maloy | ||
Vol 4, No 2 (2014): Music Journalism | “Surely people who go clubbing don’t read”: Dispatches from the Dancefloor and Clubland in Print | Abstract PDF |
Simon Morrison | ||
Vol 8, No 1 (2018): Gender Politics in the Music Industry | “The Whole Feminist Taking-Your-Clothes-off Thing”: Negotiating the Critique of Gender Inequality in UK Music Industries | Abstract PDF |
Toby Bennett | ||
Vol 4, No 2 (2014): Music Journalism | “This Is Our Music”: Italian Teen Pop Press and Genres in the 1960s | Abstract PDF |
Jacopo Tomatis | ||
Vol 9, No 2 (2019): Open Issue | “When Keeping it Real Goes Wrong”: Enacting Critical Pedagogies of Hip-hop in Mainstream Schools | Abstract PDF |
Lauren Leigh Kelly, Donald C. Sawyer | ||
Vol 8, No 1 (2018): Gender Politics in the Music Industry | “When She Plays We Hear the Revolution”: Girls Rock Regina - A Feminist Intervention | Abstract PDF |
Charity Marsh | ||
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