Browse Title Index


 
Issue Title
 
Vol 1, No 2 (2010) Maximum output for minimum input - 1G3B and the reterritorialization of a Finland-Swedish metal identity on the Internet
http://dx.doi.org/10.5429/2079-3871(2010)v1i2.1en
Abstract   PDF
Johannes Brusila
 
Vol 6, No 1 (2016): New Directions in Music Fan Studies Meeting Josh Groban (Again): Fan/Celebrity Contact as Ordinary Behavior Abstract   PDF
Gayle Stever
 
Vol 3, No 1 (2013): The Digital Nation: Copyright, Technology and Politics Money Trouble in an African Art World: Copyright, Piracy, and the Politics of Culture in Postcolonial Mali Abstract   PDF
Ryan Thomas Skinner
 
Vol 4, No 2 (2014): Music Journalism Music and (Touristic) Meaning on Cruise Ships: The Musicscape of the MV Carnival Paradise as a Semiotic Tourism Product. Abstract   PDF
David Cashman
 
Vol 5, No 1 (2015): Popular Music and Education Music Education as Critical Theory and Practice Abstract   PDF
Diane Hughes
 
Vol 4, No 2 (2014): Music Journalism Music, Politics, and Violence Abstract   PDF
Mark Stephen Carroll
 
Vol 8, No 2 (2018): Open Issue Musical and Social Structures: Marxist Interpretations of Popular Music in the 1960s and early 1970s in Hungary and the UK Abstract   PDF
Emília Barna, Ádám Ignácz
 
Vol 4, No 1 (2014): Popular Music Performance Musical Parody at the Late 20th and Early 21st Century Abstract   PDF
Mihail Todorov Lukanov
 
Vol 4, No 1 (2014): Popular Music Performance Musical Performance and the Changing City: Post-Industrial Contexts in Europe and the United States Abstract   PDF
Ian Keith Rogers
 
Vol 6, No 1 (2016): New Directions in Music Fan Studies New Directions in Music Fan Studies Editorial Introduction Abstract   PDF
Koos Zwaan, Mark Duffett
 
Vol 6, No 1 (2016): New Directions in Music Fan Studies Not Only Little Monsters: Diversity in Music Fandom in LGBTQ Lives Abstract   PDF
Marion Wasserbauer, Alexander Dhoest
 
Vol 5, No 1 (2015): Popular Music and Education Opening Minds: Style Copies as Didactical Initiators Abstract   PDF
Michael Ahlers
 
Vol 9, No 2 (2019): Open Issue Orality and Capitalist Logic in the Music of Samba Schools Abstract   PDF
Yuri Prado
 
Vol 9, No 2 (2019): Open Issue Part of the Tribe: Crews, Residence, and Affiliation in Underground Dance Music Scenes Abstract   PDF
Christopher David Charles
 
Vol 4, No 1 (2014): Popular Music Performance Performing Austria: Protesting the Musical Nation Abstract   PDF
Allyson Fiddler
 
Vol 4, No 1 (2014): Popular Music Performance Playing it Queer: Popular Music, Identity and Queer World-making Abstract   PDF
Julia Downes
 
Vol 7, No 1 (2017): Pop Life: The Popular Music Biopic Pop Life: The Popular Music Biopic – Introduction Abstract   PDF
Matthew Bannister
 
Vol 3, No 1 (2013): The Digital Nation: Copyright, Technology and Politics Pop Song Piracy: Disobedient Music Distribution Since 1929 Abstract   PDF
Evangelos Chrysagis
 
Vol 4, No 2 (2014): Music Journalism Pop-Rock Music Abstract   PDF
Brett David Wilson
 
Vol 3, No 2 (2013): Popular Music Studies in the Twenty-First Century Popular Music and the Myths of Madness Abstract   PDF
Beate Peter
 
Vol 3, No 2 (2013): Popular Music Studies in the Twenty-First Century Popular Music, Gender and Sexualities Abstract   PDF
Sheila Margaret Whiteley
 
Vol 7, No 2 (2017): Practice-Led and Practice-Based Popular Music Studies Popular Music Practice: Music as Research. Introduction to the Special Issue Abstract   PDF
Rupert Till
 
Vol 3, No 2 (2013): Popular Music Studies in the Twenty-First Century Popular Music Studies and Ethnomusicology in Australasia Abstract   PDF
Dan Bendrups
 
Vol 3, No 2 (2013): Popular Music Studies in the Twenty-First Century Popular Music Studies and the Problems of Sound, Society and Method Abstract   PDF
Eliot Bates
 
Vol 9, No 2 (2019): Open Issue Popular Music Studies in Japan: Reviewing the Journal Popular Music Studies Abstract   PDF
Akitsugu Kawamoto
 
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