Browse Title Index


 
Issue Title
 
Vol 9, No 2 (2019): Open Issue Popular Music Studies in the Low Countries: Status Quo Vadis IASPM Benelux Abstract   PDF
Melanie Schiller
 
Calls & Style Guide Português CFP - Chamada Para Artigos Abstract   PDF
IJ Open
 
Vol 9, No 1 (2019): Pop music festivals and (cultural) policies Practical Idealism: Live Music Associations and the Revitalization of the Music Festival Scene Abstract   PDF
Heikki Uimonen
 
Vol 7, No 1 (2017): Pop Life: The Popular Music Biopic Practices of Verisimilitude in Pop Music Biopics: A Conversation with Todd Eckert and James Anthony Pearson on Control, and Nick Moran on Telstar Abstract   PDF
Jon Stewart, Liam Maloy, Benjamin Halligan
 
Vol 5, No 1 (2015): Popular Music and Education Presage: What Knowledge and Experience Higher Education Songwriting Students Bring to the Classroom Abstract   PDF
Diana Blom, Kim Poole
 
Vol 6, No 2 (2016): Perspectives on Popular Music and Sound Recording Producing music, producing myth? Creativity in Recording Studios Abstract   PDF
Paul Thompson, Brett Lashua
 
Vol 6, No 2 (2016): Perspectives on Popular Music and Sound Recording Producing music, producing myth? Creativity in Recording Studios Abstract
Brett D. Lashua, Paul Thompson
 
Vol 2, No 1-2 (2011) Protest Music in France - Production, Identity and Audiences. By Barbara Lebrun. Farnham, UK: Ashgate. 2009.
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.13en
Details   PDF
Catherine Strong
 
Vol 3, No 1 (2013): The Digital Nation: Copyright, Technology and Politics Radiohead and the Resistant Concept Album: How to Disappear Completely Abstract   PDF
Raphaël Nowak
 
Vol 2, No 1-2 (2011) Ragtime and Anti-Bolshevism
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.8en
Abstract   PDF
Brian Holder
 
Vol 1, No 2 (2010) Rebirth, resounding, recreation: making seventies rock in the 21st century Abstract   PDF
Sverker Hyltén-Cavallius
 
Vol 2, No 1-2 (2011) Reflections on Popular Music Studies in Turkey
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.6en
Abstract   PDF
Ali C. Gedik
 
Vol 5, No 2 (2015): Transnational Issue REVIEW | Beyond 2.0: The Future of Music Abstract   PDF
Emília Barna
 
Vol 7, No 1 (2017): Pop Life: The Popular Music Biopic REVIEW | Black Popular Music in Britain Since 1945 Abstract   PDF
tobias c. van Veen
 
Vol 7, No 2 (2017): Practice-Led and Practice-Based Popular Music Studies REVIEW | Blue Rhythm Fantasy: Big Band Jazz Arranging in the Swing Era Abstract   PDF
Jeremiah Spillane
 
Vol 8, No 2 (2018): Open Issue REVIEW | Designed for Hi-Fi Living: The Vinyl LP in Midcentury America Abstract   PDF
Iain Taylor
 
Vol 6, No 2 (2016): Perspectives on Popular Music and Sound Recording REVIEW | Fela: Kalakuta Notes Abstract   PDF
Michael Drewett
 
Vol 8, No 2 (2018): Open Issue REVIEW | Gender and Rock Abstract   PDF
Eveleigh Buck-Matthews
 
Vol 9, No 2 (2019): Open Issue Review | Heavy Metal at the Movies Abstract   PDF
Laura Niebling
 
Vol 6, No 1 (2016): New Directions in Music Fan Studies REVIEW | Hip-Hop in Europe: Cultural Identities and Transnational Flows Abstract   PDF
James Cox
 
Vol 5, No 2 (2015): Transnational Issue REVIEW | How To Write About Music… with advice from industry-leading writers Abstract   PDF
John Conrad Mullen
 
Vol 7, No 2 (2017): Practice-Led and Practice-Based Popular Music Studies REVIEW | In the Midnight Hour: The Life and Soul of Wilson Pickett Abstract   PDF
Roger Fagge
 
Vol 5, No 2 (2015): Transnational Issue REVIEW | It’s Been Beautiful: Soul! and Black Power Television Abstract   PDF
Rob Bowman
 
Vol 7, No 2 (2017): Practice-Led and Practice-Based Popular Music Studies REVIEW | Jazz as Visual Language: Film, Television and the Dissonant Image Abstract   PDF
Alyn Shipton
 
Vol 5, No 2 (2015): Transnational Issue REVIEW | Korea and the Western Drumset: Scattering Rhythms Abstract   PDF
Felicity Clark
 
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