REVIEW I Eastern European Popular Music in a Transnational Context

Authors

  • Nico Thom University of Music Lübeck (Germany)

Keywords:

Production, Distribution, Reception, Eastern Europe, History, Present Age

Abstract

Review of Eastern European Popular Music in a Transnational Context: Beyond the Borders (Palgrave European Film and Media Studies), edited by Ewa Mazierska and Zsolt Győri,Cham: Palgrave Macmillan, 2019.

Author Biography

Nico Thom, University of Music Lübeck (Germany)

Musicologist (Senior Scientist) at University of Music Lübeck and Local Coordinator of the Network of German Universities of Music

References

Laing, D. 1986. The Music Industry and the “Cultural Imperialism” Thesis. In Media, Culture and Society 8: 331–341.

Mazierska, E. (ed.). 2016. Popular Music in Eastern Europe: Breaking the Cold War Paradigm. London: Palgrave Macmillan.

Mazierska, E. and Győri, Z. (eds.). 2018. Popular Music and the Moving Image in Eastern Europe. New York and London: Bloomsbury Academic.

Regev, M. 2013. Pop-Rock Music: Aesthetic Cosmopolitanism in Late Modernity. Cambridge: Polity.

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Published

23-12-2021

Issue

Vol. 11 No. 2 (2021): Special Issue: Popular Music, Decolonization and Indigenous Studies

Section

Reviews

License

Authors retain copyright, while licensing their work under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.