Scoring Loss in a Contemporary New Zealand Musical

Authors

  • Nick Braae Te Pūkenga – New Zealand Institute of Skills and Technology
  • David Sidwell Te Pūkenga – New Zealand Institute of Skills and Technology
  • Jeremy Mayall Te Pūkenga – New Zealand Institute of Skills and Technology
  • Kyle Chuen Te Pūkenga – New Zealand Institute of Skills and Technology

DOI:

https://doi.org/10.5429/2079-3871(2023)v13i1.11en

Keywords:

Musical analysis, Style, Musical Theatre, Practice Based Research, Sound, Orchestration

Abstract

This paper functions as an exegesis of a recent New Zealand musical, Mum’s Kitchen. The show was a creative practice research project and involved a collaborative writing/composition process with a team of four creatives. The article explores explore the confluence of musical voices within the work with a focus on the distinct musical choices made in relation to particular narrative themes. Taking a cue from Murphy (2014), we analyse the songs in Mum’s Kitchen that directly express loss and nostalgia. We suggest that the two composers have their own strategies for “scoring” this theme: use of “anachronistic” styles (such as a country ballad) to evoke a past era, and a collection of contemporary harmonic devices (open chord voicings, harmonic ambiguity) that evoke emptiness and uncertainty. We then argue that [author] as orchestrator both unified these voices through a consistent sound palette, while also emphasising these themes through his sonic choices.

Author Biography

Nick Braae, Te Pūkenga – New Zealand Institute of Skills and Technology

Nick Braae is a Principal Academic Staff Member in Music and Performing Arts at Te Pūkenga – New Zealand Institute of Skills and Technology, Hamilton, New Zealand, where he teaches music theory, cultural studies, musical theatre, performance, and composition. He has published widely on the music of Queen, as well as on New Zealand popular music, issues of style and genre, and musical theatre.

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Published

28-07-2023