Insiders’ Perspectives on Democratisation of Classical Music Production

Abstract

This study employs inductive thematic analysis to examine democratisation in music production—making resources and knowledge more accessible—by comparing classical (CMP) and popular music production (PMP). PMP embraces technological innovations, fostering decentralised tools and platforms for diverse creators. CMP, however, prioritises fidelity to live performance and historical conventions, resisting democratisation due to institutional conservatism and entrenched power dynamics. Using data from 34 qualitative interviews with professionals, the study highlights how educational, institutional, and technical factors slow CMP’s adaptation to technology. While the democratisation of CMP would require cultural shifts and educational reforms, the adoption of select PMP innovations might enhance accessibility without compromising CMP’s traditional values. This research contributes to the underexplored intersection of democratisation and CMP practice. The paper suggests that through implementing hybrid approaches inspired by PMP, CMP could evolve to create more flexible and creative production environments while preserving its rich heritage.