Organic Metal
Two Worlds Collide
DOI:
https://doi.org/10.5429/2079-3871(2026)v16i1.3enKeywords:
sacred heritage, symphonic metal, Critical Discourse Analysis, cultural capital, moral economyAbstract
This article analyses the media and public discourse surrounding the sold-out symphonic metal concert, Organic Metal: Two Worlds Collide, performed by Plague of Angels at York Minster in April 2025. Using Critical Discourse Analysis of thirty-two news and broadcast items alongside netnography of Reddit discussions, it asks what the controversy tells us about how popular music’s meanings are negotiated across religious authority, heritage discourse, and fan reception. The findings pivot on three axes: heritage versus sacrilege, inclusion versus elitism, and the tension between community mission and commercialism. A single metonym, the “blasphemy-by-association” t-shirt, proved highly spreadable and repeatedly recoded the event as a moral breach. Sequencing effects were decisive: when stories led with risk to heritage and mission, coverage read as stewardship; when they led with finance, it read as commercialisation. Participatory publics often softened sacrilege by reframing the event through pragmatic preservation. The study contributes to popular music studies by showing how genre legitimacy is negotiated when metal enters institutional heritage settings, and it offers practical guidance on programming and communication for sacred heritage sites hosting popular music.References
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Data (all accessed on 8 October 2025)
Audio-visual Media
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b. Plague of Angels Make History at York Minster - Review, York Press, 26 April. https://www.yorkpress.co.uk/news/25117499.plague-angels-make-history-york-minster---review
c. Plague of Angels Metal Band to Rock Sold-Out York Minster, York Press, 25 April. https://www.yorkpress.co.uk/news/25114241.plague-angels-metal-band-rock-sold-out-york-minster
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