The Politics of Post-9/11 Music: Sound, Trauma, and the Music Industry in the Time of Terror

Authors

  • Anthony John Bruce Johnson IASPM Australia-New Zealand

DOI:

https://doi.org/10.5429/601

Keywords:

Sound, Trauma, Music Industry, 9/11

Abstract

The Politics of Post-9/11 Music: Sound, Trauma, and the Music Industry in the Time of Terror Joseph P. Fisher and Brian Flota (eds) Farnham, Surrey, UK: Ashgate, 2011

Author Biography

Anthony John Bruce Johnson, IASPM Australia-New Zealand

Macquarie University, Australia University of Turku, Finland University of Glasgow, UK
Cover page, showing Phil Tagg in Pop Art style, with the following text: Now available: new special issue, <a href="http://www.iaspmjournal.net/index.php/IASPM_Journal/issue/view/55">Vol 3, Issue 2</a> Popular Music Studies in the Twenty-First Century

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Published

02-03-2013

Issue

Vol. 3 No. 2 (2013): Popular Music Studies in the Twenty-First Century

Section

Reviews

License

Authors retain copyright, while licensing their work under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.