Song Means: Analysing and Interpreting Recorded Popular Song

Authors

  • Melissa Avdeeff

DOI:

https://doi.org/10.5429/ij.v4i2.659

Keywords:

analysis, popular song, interpretation, meaning, formalist,

Abstract

Song Means: Analysing and Interpreting Recorded Popular Song Allan F. Moore Farnham and Burlington VT: Ashgate, 2012

References

Frith, Simon –

(1983) Sound Effects. London: Constable.

(1998) Performing Rites. New York NY: Oxford University Press.

Middleton, Richard –

(1999) Studying Popular Music. Buckingham: Open University Press.

(2000) Popular Music Analysis and Musicology: bridging the gap. In Richard Middleton Ed. Reading Pop. Oxford: Clarendon: 104-121.

Tagg, Philip (2000) Analysing popular music: theory, method, and practice. In Richard Middleton Ed. Reading Pop. Oxford: Clarendon: 71-103.

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Published

31-12-2014

Issue

Vol. 4 No. 2 (2014): Music Journalism

Section

Reviews

License

Authors retain copyright, while licensing their work under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.