Trad Dads, Dirty Boppers and Free Fusioneers, British Jazz 1960-1975

Authors

  • Katherine Ann Williams University of Bristol/Cardiff University

DOI:

https://doi.org/10.5429/ij.v4i2.686

Keywords:

jazz

Abstract

Trad Dads, Dirty Boppers and Free Fusioneers, British Jazz 1960-1975 Duncan Heining Sheffield and Bristol CT: Equinox Publishing, 2013

Author Biography

Katherine Ann Williams, University of Bristol/Cardiff University

Senior Associate Tutor, Department of Music, University of Bristol Visiting Lecturer, Department of Music, Cardiff University

References

Carr, Ian (1973) Music Outside: Contemporary Jazz in Britain. Second Edition, London: Northway Publications 2008. Originally published London: Latimer New Dimensions Ltd.

Moore, Hilary (2007) Inside British Jazz: Crossing Borders of Race, Nation and Class. Aldershot: Ashgate Publishing Limited.

Nicholson, Stuart –

(1998) Jazz-rock: A History. Edinburgh: Canongate.

(2005) Is Jazz Dead (Or Has It Moved To a New Address). London: Routledge.

Parsonage, Catherine (2005) The Evolution of Jazz in Britain: 1880–1935. Aldershot: Ashgate Publishing Limited.

Stanbridge, Alan (2008) “From the Margins to the Mainstream: Jazz, Social Relations, and Discourses of Value”. Critical Studies in Improvisation/Etudes Critiques en Improvisation 4.

Whyton, Tony (2010) Jazz Icons: Heroes, Myths and the Jazz Tradition. Cambridge: Cambridge University Press.

Wilmer, Val (1991) Mama Said There’d Be Days Like This. London: Women’s Press.

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Published

31-12-2014

Issue

Vol. 4 No. 2 (2014): Music Journalism

Section

Reviews

License

Authors retain copyright, while licensing their work under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.