REVIEW | Popular Music Fandom: Identities, Roles and Practices // Fan Identities and Practices in Context: Dedicated to music.
Keywords:
Fan Practices, Identity, Popular music fandomAbstract
Mark Duffett Ed. Abingdon: Routledge, 2014 ISBN: 978-0-415-50639-7 (HB) / 978-1-138-93697-3 (PB) Mark Duffett Ed. Abingdon: Routledge, 2015 ISBN: 978-1-138-93875-5 (HB)References
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Hills, M. 2002. Fan Cultures. London and New York: Routledge.
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Fans, Bloggers, and Gamers: Exploring Participatory Culture. New York: New York University Press.
Textual Poachers: Television Fans and Participatory Culture. London and New York: Routledge.
Otter Bickerdike, J. 2015. The Secular Religion of Fandom: Pop Culture Pilgrim. London: Sage Publications.
Sandvoss, C. 2005. Fans: The Mirror of Consumption. London: Polity Press.
Shuker, R. –
Popular Music Culture: The Key Concepts. London and New York: Routledge.
Understanding Popular Music Culture. 4th edition. London and New York: Routledge.
Wax Trash and Vinyl Treasures: Record Collecting as a Social Practice. Farnham: Ashgate.
Vermorel, F. 1983. The Secret History of Kate Bush: And the Strange Art of Pop. London: Omnibus Press.
Vermorel, F. and Vermorel, J. 2011. Sex Pistols: Inside Story. London: Omnibus Press.
Whyton, T. 2013. Jazz Icons: Heroes, Myths and the Jazz Tradition. Cambridge: Cambridge University Press.
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