This special issue examines biopics of popular music artists, raising questions regarding the genealogy of the genre, authenticity, remediation, identity, authorship and stardom. Jonathan Stewart, Benjamin Halligan and Liam Maloy address verisimilitude in the production processes of Joy Division biopic Control (2007), and Telstar: The Joe Meek Story (2008); Maurizio Corbella focuses on the remediation of historic live performances in The Buddy Holly Story (1978), Johnny Cash biopic Walk the Line (2005) and James Brown biopic Get On Up (2014); Ewa Mazierska shows how 1980s Polish filmmakers and the band Maanam reinterpreted the music biopic genre; Bridget Sutherland and Paul Judge interpret iconic films about American music icons Elvis Presley and Jim Morrison in the light of the Anthropocene; and Marcus O’Dair considers how in I’m Not There (2007) Todd Haynes presents Bob Dylan as a brand that author-izes the film rather than as a unified subject. The review section offers not only book reviews but also a conference review in honor of Peter Wicke.
Editor
Prof Hillegonda C Rietveld
Special Issue Editor
Dr Matthew Bannister
Additional Editors
Dr William Echard
Dr D. Ferrett
Dr Mary Fogarty
Dr tobias C v Veen
Dr Koos Zwaan
Reviews Editor
Sarah E Raine
Lay-out Editor
Raquel Campos
Editor
Prof Hillegonda C Rietveld
Special Issue Editor
Dr Matthew Bannister
Additional Editors
Dr William Echard
Dr D. Ferrett
Dr Mary Fogarty
Dr tobias C v Veen
Dr Koos Zwaan
Reviews Editor
Sarah E Raine
Lay-out Editor
Raquel Campos
Table of Contents
Editorial
Hillegonda C Rietveld
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Matthew Bannister
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Articles – Special Issue
Jon Stewart, Liam Maloy, Benjamin Halligan
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Maurizio Corbella
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Ewa Mazierska
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Bridget Alexandra Sutherland, Paul Judge
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Marcus O'Dair
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Reviews
Matthew Michael Sumera
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Philipp Schmerheim
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David Kane
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Sam Cleeve
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tobias c. van Veen
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Katerina Tzedaki
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Jan Peter Herbst
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Eduardo Viñuela
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Bianca Ludewig, José Miguel Gálvez
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