Review | Unsichtbare Landschaften: Populäre Musik und Räumlichkeit / Invisible Landscapes: Popular Music and Spatiality

Authors

  • Jan Peter Herbst University of Huddersfield

Keywords:

Landscape, Spatiality

Abstract

Giacomo Bottà Ed. Münster: Waxmann, 2016 ISBN: 978-3-8309-3039-6 (PB) 10.5429/2079-3871(2017)v7i1.14en

Author Biography

Jan Peter Herbst, University of Huddersfield

Diploma from Munich Guitar Institute Diploma from Los Angeles Music Academy 1. B.A./ M.Ed. Music and English Education M.A. in Popular Music and Media PhD in Popular Music Education PGCHE FHEA

References

Cohen, S. 1991. Rock Culture in Liverpool: Popular Music in the Making. Oxford: Clarendon Press.

Crossley, N. 2015. Networks of Sound, Style and Subversion: The Punk and Post–Punk Worlds of Manchester, London, Liverpool and Sheffield, 1975–80. Manchester: University Press.

Du Noyer, P. 2002. Liverpool – Wondrous Place: Music from Cavern to Cream. London: Virgin.

Gregson, N. et al. 2003. “Writing (across) Europe: On Writing Space and Writing Practices”. European Urban and Regional Studies, 10(1): 5-22.

Holt, F. and Wergin, C., Eds. 2013. Musical Performance and the Changing City: Post-industrial Contexts in Europe and the United States. New York: Routledge.

Krims, A. 2007. Music and Urban Geography. New York: Routledge.

Leyshon, A. et al., Eds. 1998. The Place of Music. New York: Guildford Press.

Tagg, P. 2011. Caught on the Back Foot: Epistemic Inertia and Visible Music. IASPM Journal, 2(1-2): 3-18.

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Published

30-10-2017

Issue

Vol. 7 No. 1 (2017): Pop Life: The Popular Music Biopic

Section

Reviews

License

Authors retain copyright, while licensing their work under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.