Songs of the Stones: An Investigation into the Acoustic History and Culture of Stonehenge <br> doi:10.5429/2079-3871(2010)v1i2.10en


  • Rupert Till University of Huddersfield



Stonehenge, Prehistory, Acoustics, Music, Sound, RItual, Solstice, Popular Music


This paper investigates the acoustic culture of Stonehenge, an iconic British prehistoric stone circle. It addresses references to the structure within popular music culture, as well as Thomas Hardy’s discussion of the site. It investigates ritual activities in prehistory from an analytical consideration of its acoustics, using theoretical, digital modeling, physical modeling and field measurement approaches. Stonehenge in prehistory is found to have significant acoustic features that are likely to have had an impact in prehistory. Conclusions are drawn about what we can learn from the similarities between ritualistic musical culture in prehistory and in contemporary popular culture.

Author Biography

Rupert Till, University of Huddersfield

Dr. Rupert Till is Senior Lecturer in Music Technology, in the Department of Music and Drama, at the University of Huddersfield, UK. His research interests include: Electronic Dance Music; Popular Music and Religion; Music Technology; Studio Production; Popular Music Composition; Music and Prehistory.






Articles – Open Section