Vol. 1 No. 2 (2010)

Editorial Team Dr. Héctor Fouce, Co-Editor Dr. Michael Drewett Dr. Shane Homan Dr. Carlo Nardi Dr. Geoff Stahl Dr. Martha Ulhôa, Co-Editor Assistant Editor Dr. Cláudia Azevedo

Published: 23-01-2011

Articles – Open Section

Maximum output for minimum input - 1G3B and the reterritorialization of a Finland-Swedish metal identity on the Internet
http://dx.doi.org/10.5429/2079-3871(2010)v1i2.1en

Johannes Brusila

1-18
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¿Una habitación propia en el Jazz Latino?/A Room of One's Own in a “Latin Jazz”?

Susan Campos Fonseca

1-11
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Appropriation, Additive Approaches and Accidents: The Sampler as Compositional Tool and Recording Dislocation
doi:10.5429/2079-3871(2010)v1i2.3en

Paul Harkins

1-19
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Rebirth, resounding, recreation: making seventies rock in the 21st century

Sverker Hyltén-Cavallius
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"Listen to these Speakers": Swedish Hi-fi Enthusiasts, Gender, and Listening
doi:10.5429/2079-3871(2010)v1i2.5en

Sara Jansson

1-11
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The Traitor and the Stowaway: Persona Construction and the Quest for Cultural Anonymity and Cultural Relevance in the Trajectories of Bob Dylan and Leonard Cohen
doi:10.5429/2079-3871(2010)v1i2.6en

Christophe Lebold

1-17
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Who Sells Out?: Petra Haden in the Age of Mechanical Reproduction
doi:10.5429/2079-3871(2010)v1i2.7en

Marianne Tatom Letts

1-15
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“Stayin’ Alive in Da Club”: The Illegality and Hyperreality of Mashups

Liam Alan Maloy

1-20
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Authorship and co-authorship (parceria) in samba: creative articulations and social boundaries
doi:10.5429/2079-3871(2010)v1i2.9en

Cláudia Neiva Matos

1-14
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Songs of the Stones: An Investigation into the Acoustic History and Culture of Stonehenge
doi:10.5429/2079-3871(2010)v1i2.10en

Rupert Till

1-18
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"Vorrei trovar parole nuove" - Il neologismo “cantautore” e l'ideologia dei generi musicali nella canzone italiana degli anni Sessanta
doi:10.5429/2079-3871(2010)v1i2.11it

Jacopo Tomatis

1-28
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