Who Sells Out?: Petra Haden in the Age of Mechanical Reproduction <br> doi:10.5429/2079-3871(2010)v1i2.7en

Authors

  • Marianne Tatom Letts

DOI:

https://doi.org/10.5429/316

Keywords:

concept album, authenticity, Petra Haden, the Who, commodity

Abstract

In 2005, Petra Haden released her version of The Who Sell Out, notable for the meticulousness and creativity with which she mimicked the instruments on the album with only an eight-track recorder and her voice. This paper examines the ways in which Haden’s interpretation of the classic album elevates it into the realm of “high art” while retaining its status as a commodity within the realm of popular music. Haden’s live reinterpretation (with her band the Sellouts) calls into question what constitutes the “authentic” version of the album, since the current lineup of the Who no longer performs the material.

Author Biography

Marianne Tatom Letts

Marianne Tatom Letts has degrees from the University of North Texas and the University of Texas at Austin. She holds a PhD in music theory and has published articles on the Beatles' "Yellow Submarine" and the indie band Guided by Voices. She is currently working on a book about Radiohead for Indiana University Press.

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Published

20-01-2011

Issue

Section

Articles – Open Section