REVIEW | The Creative Echo Chamber: Contemporary Music Production in Kingston, Jamaica.

Authors

Keywords:

Theory, Production, Cultural Policy

Abstract

Dennis O. Howard Kingston: Ian Randle Publishers, 2016 ISBN: 978-976-637-894-3 (PB)

Author Biography

Donald Weston Harper, Beijing Institute of Technology Zhuhai Bryant College

Business and Management Assistant Professor

References

Beckford, G.L., 1972. Persistent poverty. Oxford University Press.

Hebdige, D., 2003. Cutn'Mix: Culture, Identity and Caribbean Music. Routledge.

Hesmondhalgh, D. and Pratt, A.C., 2005. Cultural industries and cultural policy. International journal of cultural policy, 11(1), pp.1-13.

Kozul-Wright, Z. and Stanbury, L., 1998, October. Becoming a globally competitive player: The case of the music industry in Jamaica. United Nations Conference on Trade and Development.

Peterson, R.A., 1982. Five constraints on the production of culture: Law, technology, market, organizational structure and occupational careers. The Journal of Popular Culture, 16(2), pp.143-153.

Power, D. and Hallencreutz, D., 2002. Profiting from creativity? The music industry in Stockholm, Sweden and Kingston, Jamaica. Environment and Planning A, 34(10), pp.1833-1854.

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Published

31-12-2016

Issue

Vol. 6 No. 2 (2016): Perspectives on Popular Music and Sound Recording

Section

Reviews

License

Authors retain copyright, while licensing their work under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.