REVIEW | Music as Multimodal Discourse: Semiotics, Power and Protest

Authors

  • John Conrad Mullen Université de Rouen

Keywords:

Popular Music, Power, Protest, Semiotics

Abstract

Lyndon C. S. Way & Simon McKerrell Eds. London: Bloomsbury, 2017 ISBN: 9781474264425 (HB)

Author Biography

John Conrad Mullen, Université de Rouen

Professor in British Studies

References

Cook, N. 1998. Analysing Musical Multimedia. Oxford: Oxford University Press.

Hennion, A., and Vignolle, J. P. 1978. Artisans et industriels du disque – essai sur le mode de production de la musique. Paris: CSI-Cordes.

Tagg, P. 1987. Musicology and the Semiotics of Popular Music. Semiotica 66 (1/3): 279- 298.

Downloads

Published

20-12-2017

Issue

Vol. 7 No. 2 (2017): Practice-Led and Practice-Based Popular Music Studies

Section

Reviews

License

Authors retain copyright, while licensing their work under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.