Editorial Introduction
Keywords:
Education, Marxism, ProtestsAbstract
This is the Editorial Introduction for Open Issue 9/2References
Bibliography
Andrews, B. W., Group Investigation in Music Instruction: A Pedagogical Scenario. Canadian University Music Review, 13, pp.93-103.
Berland, J. and N. Kompridis. 1986. Disciplining the ‘Popular’: Music and Pedagogy.Communication. Information Médias Théories, 8(2), pp.157-169. https://www.persee.fr/doc/comin_1189-3788_1986_num_8_2_1363
Devine, K., 2019. Decomposed: The Political Ecology of Music. MIT Press.
Devine, K. and Alexandrine Boudreault-Fournier (Eds). (forthcoming) Audible Infrastructures: Music, Sound, Media. Oxford University Press.
Frith, S., 2019. Remembrance of Things Past: Marxism and the Study of Popular Music. Twentieth-Century Music, 16(1), pp.141-155.
Gedik, A.C., 2012. Reflections on Popular Music Studies in Turkey. IASPM@ Journal, 2(1-2), pp.51-56. http://dx. doi. org/10.5429/2079-3871 (2011) v2i1-2.6en.
Goldschmitt, K.E., 2019. Bossa Mundo: Brazilian Music in Transnational Media Industries. Oxford University Press.
Green, L., 2002. How popular musicians learn: A way ahead for music education. Ashgate Publishing.
Kelley, R.D., 2002. Freedom dreams: The black radical imagination. Beacon Press.
Robinson, C.J., 2000. Black Marxism: The making of the Black radical tradition. Univ of North Carolina Press.
Vulliamy, G. and Lee, E. --
Popular Music: a teacher's guide. Routledge & Kegan Paul Ltd.
Pop, rock and ethnic music in school. Cambridge University Press.
Theatrical Work
Stars, Abraham, C, & Russell, Z. 2019. Stars: Together. Stars with Atom Egoyan. [Crow’s Theatre, Toronto, Canada, December 4th, 2019]
Downloads
Published
Issue
Section
License
Authors retain copyright, while licensing their work under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.