REVIEW | Popular Music and the Politics of Hope Review


  • Settimio Fiorenzo Palermo Middlesex University


Book review

Author Biography

Settimio Fiorenzo Palermo, Middlesex University

Senior Lecturer in Popular Music


Adorno, T. W.—

“On Popular Music”. Studies in Philosophy and Social Science, no. 9:17-14.

“The Fetish-Character of Music and the Regression of Listening”. In The Culture Industry, edited by J.M. Bernstein. New York: Routledge, 29-60.

"On Jazz". Discourse: Journal for Theoretical Studies in Media and Culture: Vol. 12: Iss. 1,, Accessed 14 April 2020

Auslander, P., 2009. “Musical Persona: The Physical Performance of Popular Music”. In The Ashgate Research Companion to Popular Musicology, edited by Derek B. Scott. Aldershot: Ashgate, 303-316.

Hawkins, S., —

Queerness in Pop Music: Aesthetics, Gender Norms, and Temporality. Abingdon, Oxon: Routledge.

The Routledge Research Companion to Popular Music and Gender. London and New York: Routledge.

Iddon, M. and Marshall, M. L., 2014. Lady Gaga and Popular Music: Performing Gender, Fashion, and Culture. New York and London: Routledge.

Kosofsky-Sedgwick, Eve. 1997. “Paranoid Reading and Reparative Reading, or, You’re So Paranoid, You Probably Think This Essay Is About You”. In Novel Gazing: Queer Readings in Fiction, edited by Eve Kosofsky-Sedgwick. Durham and London: Duke University Press,1-38.