REVIEW | Popular Music and the Politics of Hope Review

Settimio Fiorenzo Palermo

Abstract


Book review

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References


Adorno, T. W.—

“On Popular Music”. Studies in Philosophy and Social Science, no. 9:17-14.

“The Fetish-Character of Music and the Regression of Listening”. In The Culture Industry, edited by J.M. Bernstein. New York: Routledge, 29-60.

"On Jazz". Discourse: Journal for Theoretical Studies in Media and Culture: Vol. 12: Iss. 1, https://digitalcommons.wayne.edu/discourse/vol12/iss1/4, Accessed 14 April 2020

Auslander, P., 2009. “Musical Persona: The Physical Performance of Popular Music”. In The Ashgate Research Companion to Popular Musicology, edited by Derek B. Scott. Aldershot: Ashgate, 303-316.

Hawkins, S., —

Queerness in Pop Music: Aesthetics, Gender Norms, and Temporality. Abingdon, Oxon: Routledge.

The Routledge Research Companion to Popular Music and Gender. London and New York: Routledge.

Iddon, M. and Marshall, M. L., 2014. Lady Gaga and Popular Music: Performing Gender, Fashion, and Culture. New York and London: Routledge.

Kosofsky-Sedgwick, Eve. 1997. “Paranoid Reading and Reparative Reading, or, You’re So Paranoid, You Probably Think This Essay Is About You”. In Novel Gazing: Queer Readings in Fiction, edited by Eve Kosofsky-Sedgwick. Durham and London: Duke University Press,1-38.




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