REVIEW | Collective Participation and Audience Engagement in Rap Music

Authors

  • Sergio Pisfil Member of IASPM-UK and Ireland Universidad Peruana de Ciencias Aplicadas (Lima, Peru)

Keywords:

Live Music, Rap, Performance, Audience

Abstract

Book review

Author Biography

Sergio Pisfil, Member of IASPM-UK and Ireland Universidad Peruana de Ciencias Aplicadas (Lima, Peru)

PhD graduate from the University of Edinburgh, with a thesis on the history of rock music from a live sound perspective, under the supervision of Simon Frith. Lecturer at Universidad Peruana de Ciencias Aplicadas, Lima, Peru.

References

Anderton, C. 2019. Music Festivals in the UK: Beyond the Carnivalesque. Abingdon & New York: Routledge.

Cresswell-Jones, A. and Bennett R. J. Eds. 2015. The Digital Evolution of Live Music. Oxford: Chandos Publishing.

Edgar, R. et al. Eds. 2015. The Arena Concert: Music, Media and Mass Entertainment. New York: Bloomsbury.

Frith, S. et al. 2013. The History of Live Music in Britain, Volume 1: 1950-1967: From Dance Hall to the 100 Club. Farnham & Burlington: Ashgate, 2013.

Frith, S. et al. 2019. The History of Live Music in Britain, Volume 2: 1968-1984: From Hyde Park to the Hacienda. Abingdon & New York: Routledge.

IASPM Journal Vol. 10, No.2 (2020)

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Published

11-12-2020

Issue

Vol. 10 No. 2 (2020): Open Issue

Section

Reviews

License

Authors retain copyright, while licensing their work under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.