Vol. 2 No. 1-2 (2011)

State of the Nation: Review(s) of Popular Music Studies Editor Dr. Hillegonda C Rietveld Special Issue Editor Dr. Martha Tupinambá de Ulhôa Additional Editors Dr. Shane Homan, Dr. Carlo Nardi, Dr. Geoff Stahl, Dr. Rupert Till Advisory Editors Dr. Rebekah Farrugia, Dr. Antti-Ville Kärjä Assistant Editor Dr. Elina T. Hytönen

Published: 29-02-2012

Articles – Special Issue

Editorial Introduction, Volume 2, February 2012
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.1en

Hillegonda C. Rietveld

1-2
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Caught on the Back Foot: epistemic inertia and visible music
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.2en

Philip Tagg

3-18
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How did popular music come to mean música popular?
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.3en

Laura F. Jordán González, Douglas Kristopher Smith

19-33
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The Introduction of Popular Music Studies to Ghanaian Universities
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.4en

John Collins

34-44
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German-language Popular Music Studies in Germany, Austria and Switzerland
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.5en

Martin Pfleiderer

45-50
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Reflections on Popular Music Studies in Turkey
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.6en

Ali C. Gedik

51-56
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Articles – Open Section

Del discurso a la performance: la producción de significaciones de nacionalidad en el “jazz argentino”
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.7es

Berenice Maria Corti

56-64
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Ragtime and Anti-Bolshevism
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.8en

Brian Holder

65-86
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IASPM Branch Reports

IASPM-US 2011 Report
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.9en

Rebekah Farrugia

87-88
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Reviews