Vol 8, No 2 (2018)

Open Issue

This issue consists of two contributions. Emília Barna and Ádám Ignácz give a historical analysis of popular music studies in the 1960s and 1970s in the UK and Hungary. Jan-Peter Herbst and Tim Albrecht present findings from a study into the work realities of studio musicians in the German popular music recording industry. The review section consists of reviews from by Paul Long, Caroline Kennedy, Iain Taylor, Karlyn King and Eveleigh Buck-Matthews.

Editor
Dr Koos Zwaan

Assistant Editor
Raquel Campos

Additional Editors
Dr Tim J Anderson
Dr Sarah Raine

Review Editor
Dr Sarah Raine

Layout Editor
Raquel Campos

Table of Contents

Editorial

Editorial Introduction
Koos Zwaan
PDF
1

Articles – Open Section

Musical and Social Structures: Marxist Interpretations of Popular Music in the 1960s and early 1970s in Hungary and the UK
Emília Barna, Ádám Ignácz
PDF
2 - 17
The Work Realities of Professional Studio Musicians in the German Popular Music Recording Industry: Careers, Practices and Economic Situations
Jan Peter Herbst, Tim Albrecht
PDF
18 - 37

Reviews

Review | Power to the People: British Music Videos 1966-2016
Paul Long
PDF
38 - 40
REVIEW | Voicing Girlhood in Popular Music: Performance, Authority, Authenticity
Caroline Kennedy
PDF
41 - 43
REVIEW | Designed for Hi-Fi Living: The Vinyl LP in Midcentury America
Iain Taylor
PDF
44 - 46
REVIEW | This is Not a Remix: Piracy, Authenticity and Popular Music
Karlyn King
PDF
47 - 49
REVIEW | Gender and Rock
Eveleigh Buck-Matthews
PDF
50 - 52