REVIEW | Gender and Rock

Authors

  • Eveleigh Buck-Matthews Coventry University

Keywords:

Gender, Rock

Abstract

Mary Celeste Kearney Oxford: Oxford University Press, 2017 ISBN: 9780190688660 (HB)

Author Biography

Eveleigh Buck-Matthews, Coventry University

Northerner working in the South. Dr in International Studies and Social Sciences obtained at Coventry University. Social and cultural geographer. Music festivals attendee and researcher. Associate Lecturer at Bath Spa University, Middlesex University and Greenwich University. Committee member of Gender and Feminist Geographies Research Group & ECR Officer for the Participatory Geographies Research Group (RGS-IBG) & Social Media for the Punk Scholars Network. @eveleigh_bm

References

Bauman, Z., 2013. Liquid Modernity. Hoboken, NJ: Wiley.

Bennett, A., 1999. Subcultures or Neo-Tribes? Rethinking the Relationship Between Youth, Style and Musical Taste. Sociology 33 (3): 599-617.

Goulding, C. and Shankar, A., 2011. Club Culture, Neotribalism and Ritualised Behaviour. Annals of Tourism Research 38 (4): 1435-1453.

Halfacree, K. and Kitchin, R., 1996. “Madchester rave on”: Placing the Fragments of Popular Music. Area 28 (1): 44-55.

Hill, R.L., 2016. Gender, Metal and the Media: Women Fans and the Gendered Experience of Music. Basingstoke: Palgrave Macmillan.

Leonard, M., 2007. Gender in the Music Industry: Rock, Discourse and Girl Power. Farnham: Ashgate.

Maffesoli, M., 1995. The Time of The Tribes: The Decline of Individualism in Mass Society. Thousand Oaks, CA: Sage.

Muggleton, D. and Weinzierl, R., 2003. The post-subcultures reader. Oxford: Berg Publishers.

Riley, S., Griffin, C. and Morey, Y., 2010. The “Pleasure Citizen”: Analyzing Partying as a Form of Social and Political Participation. Young 18 (1): 33-54.

Whiteley, S., 1997. Sexing the Groove: Popular Music and Gender. London: Routledge.

Downloads

Published

10-12-2018

Issue

Vol. 8 No. 2 (2018): Open Issue

Section

Reviews

License

Authors retain copyright, while licensing their work under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.