Vol. 12 No. 1 (2022): Open Issue

This open issue reflects the diversity of enquiry and approach that characterizes IASPM, and we have articles on the relationship between artists and record labels (Cannon), ecological grief and Love Ssega’s music (Bayliss Hawitt), polyrhythmic occurrences in the performance of Trio Corrente (Duarte and Ramos), Billie Holiday and posthumous fame (Masterson), work as a concept (Amaral and Grohmann), Sajsi MC and feminist rap (Sabo), and an analysis of Maren Morris’s song and music video “My Church” (Fleshner).