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Found 38 items.
The Touring Musician: Repetition and Authenticity in Performance
Daniel Robert McKinna
56-72
17-11-2013
Review | The History of Live Music in Britain Volume II, 1968-1984: from Hyde Park to the Hacienda
Alison C Eales
111 - 113
24-12-2019
The Concept Album as Visual—Sonic—Textual Spectacle: The Transmedial Storyworld of Coldplay’s Mylo Xyloto
Lori Anne Burns
91-116
31-12-2016
Brazilian Popular Music Economy Aspects: The Baile Funk Circuit
Simone Pereira Sá, Gabriela Oliveira Miranda
9-18
17-01-2013
Jam sessions in Madrid’s blues scene: musical experience in hybrid performance models
Josep Pedro
73-86
17-11-2013
The History of Live Music in Britain, Volume I: 1950-1967
Christopher Johnson
126-127
31-12-2014
Editorial Introduction
Mary Fogarty Woehrel
1 - 2
12-10-2019
Who Sells Out?: Petra Haden in the Age of Mechanical Reproduction
doi:10.5429/2079-3871(2010)v1i2.7en
Marianne Tatom Letts
1-15
20-01-2011
Polyrhythm as a Bridge for Group Improvisation in Brazilian Jazz: An Analysis of the Performance of Trio Corrente
Thiago Azevedo Duarte, Danilo Ramos
43-68
16-12-2022
Live Architecture: Venues, Stages and Arenas for Popular Music
Eduardo Viñuela
120-121
23-11-2012
Live Recollections: Uses of the Past in U.S. Concert Life
doi:10.5429/2079-3871(2010)v1i1.9en
Steve Waksman
1-16
08-04-2010
#DancingIsNotACrime: Dance as Digital Resistance in the Transnational 21st Century
Christopher J Smith
12-24
31-07-2023
`Look here, you bunch of basement noise': Bob Dylan plays underground
http://dx.doi.org/10.5429/2079-3871(2010)v1i1.2en
Alessandro Bratus
1-19
08-04-2010
26 - 38 of 38 items
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