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Found 33 items.
El discurso sobre la práctica de un guitarrista de jazz semi-profesional: Estudio de caso de aprendizaje musical constructivo
Amalia Casas-Mas, Ignacio Montero, Juan Ignacio Pozo
54-80
29-04-2015
"A Musician Who Puts on a Gig": Local Promoter’s Multiple Roles and Hierarchies at a Small British Jazz Club
Elina T. Hytönen-Ng
58-72
11-05-2015
¿Una habitación propia en el Jazz Latino?/A Room of One's Own in a “Latin Jazz”?
Susan Campos Fonseca
1-11
20-01-2011
From Juke Joints to Jazz Jams: The Political Economy of Female Club Owners
Kara Attrep
9-23
20-08-2018
A Discourse on Brazilian Popular Music and U.S. Jazz Education
Almir Cortes Barreto, Hafez Modirzadeh
23-35
29-01-2015
Deportation Blues
doi:10.5429/2079-3871(2010)v1i1.5en
Bruce Johnson
1-13
08-04-2010
Polyrhythm as a Bridge for Group Improvisation in Brazilian Jazz: An Analysis of the Performance of Trio Corrente
Thiago Azevedo Duarte, Danilo Ramos
43-68
16-12-2022
Del discurso a la performance: la producción de significaciones de nacionalidad en el “jazz argentino”
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.7es
Berenice Maria Corti
56-64
15-01-2012
Making Women in Jazz Visible: Negotiating Discourses of Unity and Diversity in Sweden and the US
Cecilia Björck, Åsa Bergman
42-58
20-08-2018
REVIEW | Blue Rhythm Fantasy: Big Band Jazz Arranging in the Swing Era
Jeremiah Spillane
65 - 68
20-12-2017
Trad Dads, Dirty Boppers and Free Fusioneers, British Jazz 1960-1975
Katherine Ann Williams
128-130
31-12-2014
REVIEW | Jazz as Visual Language: Film, Television and the Dissonant Image
Alyn Shipton
51 - 54
20-12-2017
Woodshedding
Reproduction, Ideology, and the Work of Musical Virtuosity
Benjamin Oyler
182 - 196
28-07-2023
Flamenco Music and National Identity in Spain
Elina T. Hytönen-Ng
121-122
26-10-2012
REVIEW | When Genres Collide:
Down Beat
,
Rolling Stone
, and the Struggle Between Jazz and Rock
Fernando Aparecido Poiana
55 - 57
20-12-2017
Alternative Journalism in Madrid’s Blues Scene
Josep Pedro
55-70
31-12-2014
Learning Music for Fun, Not Credit
The Value of Popular Music Practice in the Extra-curricular University Jazz Ensemble
Tom Sykes
99-121
28-07-2023
Experiencing ‘flow’ in jazz performance
Andrew Wright Hurley
124-125
02-02-2014
"Analysing Live Music in the UK" Findings One Year into a Three-Year Research Project
doi:10.5429/2079-3871(2010)v1i1.3en
Simon Frith, Matt Brennan, Martin Cloonan, Emma Webster
1-30
08-04-2010
Live Recollections: Uses of the Past in U.S. Concert Life
doi:10.5429/2079-3871(2010)v1i1.9en
Steve Waksman
1-16
08-04-2010
Creative Crisis? Performing Artists in Vienna’s Live Music Scene in the Age of COVID-19
Magdalena Fürnkranz
22-37
15-10-2021
Vocal pop pleasures. Theoretical, analytical and empirical approaches to voice and singing in popular music
doi:10.5429/2079-3871(2010)v1i1.7en
Martin Pfleiderer
1-16
08-04-2010
German-language Popular Music Studies in Germany, Austria and Switzerland
http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.5en
Martin Pfleiderer
45-50
05-02-2012
IASPM Hungary: Developments and New Directions in Popular Music Research
Emilia Barna
81-85
15-11-2020
Lady Day on Screen
What can the divided reception of The United States vs. Billie Holiday (2021) tell us about the malleability of posthumous fame?
Alice Masterson
69 - 82
16-12-2022
1 - 25 of 33 items
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