Search

Search Results

• Everyday Tonality: Towards a Tonal Theory of What Most People Hear. By Philip Tagg

  Jacopo Conti

  111-112

  20-08-2012

• Wolf in Sheep's Clothing: Extreme Right-Wing Ideologies in Australian Black Metal

  Benjamin Philip Hillier, Ash Barnes

  38-57

  11-12-2020

• Focusing the Gaze: The Role of Music in Film Adaptations of Austen's "Pride and Prejudice"
  doi:10.5429/2079-3871(2010)v1i1.6en

  Christine Amos Linial

  1-17

  18-05-2010

• REVIEW | The Creative Echo Chamber: Contemporary Music Production in Kingston, Jamaica.

  Donald Weston Harper

  185-188

  31-12-2016

• Music Education as Critical Theory and Practice

  Diane Hughes

  213-216

  17-03-2015

• I Hear Music: Popular Music and its Mediations.

  Anthony John Bruce Johnson

  96-110

  18-02-2013

• REVIEW I Hungry Listening: Resonant Theory for Indigenous Sound Studies

  Marie Thompson

  110-113

  23-12-2021

• Subcultural Theory: Traditions and Concepts

  Christopher Driver

  118-120

  20-12-2012

• Tanya Tagaq Covers Nirvana: “Rape Me” and a History of Settler Colonial Violence

  Ryan Shuvera

  55-68

  23-12-2021

• Rock Gods of the Anthropocene: The Biographical Films of Elvis Presley and Jim Morrison

  Bridget Alexandra Sutherland, Paul Judge

  30-10-2017

• Amy Winehouse: Back to Black and the Gothic

  Adrian Howard Sledmere

  117-135

  20-08-2018

• Editorial Introduction: Popular Music in Education, Special Issue

  Lucy Green, Don Lebler, Rupert Till

  1-3

  23-04-2015

• The Touring Musician: Repetition and Authenticity in Performance

  Daniel Robert McKinna

  56-72

  17-11-2013

• REVIEW | When Genres Collide: Down Beat, Rolling Stone, and the Struggle Between Jazz and Rock

  Fernando Aparecido Poiana

  55 - 57

  20-12-2017

• Self-quotation as Reinterpretation of the Past in the Russian Rock Band DDT

  Sergio Mazzanti

  58-77

  11-12-2020

• Vocal pop pleasures. Theoretical, analytical and empirical approaches to voice and singing in popular music
  doi:10.5429/2079-3871(2010)v1i1.7en

  Martin Pfleiderer

  1-16

  08-04-2010

• Kosmische Musik and its Techno-Social Context

  Alexander C Harden

  154-173

  31-12-2016

• Popular Music Studies and the Problems of Sound, Society and Method

  Eliot Bates

  15-32

  16-04-2013

• REVIEW | Jazz as Visual Language: Film, Television and the Dissonant Image

  Alyn Shipton

  51 - 54

  20-12-2017

• Presage: What Knowledge and Experience Higher Education Songwriting Students Bring to the Classroom

  Diana Blom, Kim Poole

  157-180

  29-01-2015

• Center for Popular Music Research and Popular Music Studies in Serbia: Institutionalization on the Musicological Margins

  Bojana Srđan Radovanović

  70-80

  15-11-2020

• The Concept Album as Visual—Sonic—Textual Spectacle: The Transmedial Storyworld of Coldplay’s Mylo Xyloto

  Lori Anne Burns

  91-116

  31-12-2016

• Pop Life: The Popular Music Biopic – Introduction

  Matthew Bannister

  30-10-2017

• Pop-Rock Music

  Brett David Wilson

  131-132

  31-12-2014

• REVIEW | Popular Music Fandom: Identities, Roles and Practices // Fan Identities and Practices in Context: Dedicated to music.

  Stephanie Fremaux

  143-146

  08-11-2016